Banksy, a pseudonymous England-based street artist, political activist, and film director, has taken credit for a striking piece of art that appeared during Glastonbury Festival, featuring an inflatable boat filled with dummies designed to resemble migrants crossing the Channel. The artwork made its debut above the crowd during the Idles’ performance on the Other Stage at Worthy Farm on Friday night and reappeared during rapper Little Simz’s set on the Pyramid Stage the following day.

The renowned artist later confirmed his involvement by posting a video of the boat on his Instagram page. The installation, which coincided with the Idles singing the lyrics “My blood brother is an immigrant, a beautiful immigrant,” drew mixed reactions from the public and government officials.
The display sparked criticism from government ministers, especially in light of Prime Minister Rishi Sunak’s commitment to curbing small boat crossings. Home Secretary James Cleverly expressed his disapproval on X (formerly Twitter), condemning the festival-goers’ actions as insensitive and trivializing the serious issue of migrant crossings, which have resulted in many deaths.
“I don’t think this is the sort of thing to joke around with at Glastonbury.”
— Times Radio (@TimesRadio) June 30, 2024
Deputy prime minister Oliver Dowden tells #TimesRadio he was “saddened” by the inflatable migrant boat stunt attributed to Banksy.
📻 https://t.co/1GD4WRrXjs@KateEMcCann | @adamboultonTABB pic.twitter.com/wRFjGBfG8N
Deputy Prime Minister Oliver Dowden also voiced his disappointment during an interview with Times Radio. He highlighted the dangers faced by migrants who are often exploited by criminal gangs, risking their lives on poorly equipped boats. Dowden emphasized that such serious matters should not be trivialized or made into a spectacle at a festival.
The controversy surrounding Banksy’s artwork at Glastonbury underscores the ongoing debate over how best to address and represent the complex issue of migration. While some view the installation as a powerful commentary on the plight of migrants, others believe it trivializes a serious and life-threatening situation.